![]() ![]() Select the symbol wih horizontal lines on the right-hand size and choose the “sky” option from options that appear to the upper left of the dialog box. ![]() An expanded dialog box that opens to the right. Within the V-Ray Asset Editor, go to the “Environment” tab, turn on the GI Skylight option by selecting the checked-box (see checked-box in the screen capture below), and then also select the blue and black checker-box icon to the right of the checked-box. Note that the “sun” symbol is visible as an 3D arrow in the foreground of the “Perspective” view window below.Ģ. With the mouse cursor placed with the left-mouse button in the command prompt area, select the return key or right mouse button to place the sun light symbol at the origin of the x-y plane. Adjust the perspective view similar to an eye-level camera position and horizon line as shown in the “Perspective” view window below. Select OK in the dialog box above and then at the Rhino command prompt note that the default location of “Position ” is indicated. Within the “Sun Angle Calculator”, set the Sun Options to “On”, and determine the time and day of the year, as well as set the location either by picking a city (e.g., Richmond, VA) or entering the exact latitude and longitude.Īlternatively, as we did in the workshop, select the “Manual Control” method and used the simpler dialog box as shown below to adjust the azimuth and altitude more directly. Next, go to the “V-Ray Lights” panel and select sun control icon to open “Sun Angle Calculator”. Go to non-V-Ray Rhino Render Tab, and toggle off the standard Rhino “sun” symbol. Within Rhino, go to the menu item “Render>Current Renderer>V-Ray for Rhino” to ensure that V-Ray is active. ![]() The “sunlight” layer will be used to place a V-Ray sun. Some documentation used to develop this tutorial are published on line in the vV-Ray for Rhino manual published on-line at:Ĭreate a Rhino File with a ground surface, catenary curve generated vault such as was done in the catenary curves and vault tutorialand add a layer for a sunlight and create the 3d model below. There are a number of options availble for determining the the general atmosphere assocaited with rendering, light and shadows studies. Some documentation used to develop this tutorial are published on line in the V-Ray for Rhino manual published on-line at:įor more general on-line tutorials and reference materials on V-Ray see Įnvironment Settings, Sun, Sky and Texture Mapping There are a number of options availble for simulation the general atmosphere associated with rendering light and shadows and materials. ![]()
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![]() ![]() A Khudobin-Holtby tandem, with an outside chance of Ben Bishop getting healthy, was the original plan, but the former Cup finalists are having a very tough time with a 6-7-2 record and a lot of ground to make up. There’s no return date set for Holtby, but another strong performance from Oettinger could force the Stars to change tracks. Rick Bowness made curious decisions for his lineup against the Wild, which resulted in a 7-2 loss, but going back to Oettinger should be a no-brainer. With Braden Holtby ruled out for Saturday’s game and Anton Khudobin getting pulled in his last start – even if Oettinger came in relief for only six minutes – look for Oettinger to get his second start of the season at home against the Blues. 921 Sv% is tied for fourth-best in the league among goalies with at least 50 appearances. It’s possible that Kuemper’s just getting back into his groove remember, over the past five seasons, Kuemper’s. It’s the second straight season Kuemper’s off to a slow start, but the past two seasons have also been marred by various postponements and cancellations due to COVID-19. The Avs’ gamble on Kuemper looked like a very poor investment in the beginning, with the only silver lining being Philipp Grubauer also struggling with the Kraken, but it looks like the goalie switch is now paying off for the Avs. 929 Sv% in November and has not allowed more than three goals since Oct. With a 7-3 win against the Kraken on Friday, Kuemper is now 4-1-0 with a. Whether it was veterans bouncing back, rookies showing some strength or goalies giving you value deep in the lineup, it was yet another interesting week in the world of fantasy hockey. Another week gone, another group of standouts across the NHL. ![]() ![]() ![]() Repair corrupted virtual disk file (.vmdk. Online purchase of Data Recovery Wizard Professional 15 Million Users 30-day money-back guarantee. 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The jets almost instantly began conducting airstrikes while 70 percent of the fleet was able to conduct its mission, said Brig. ![]() EverstineĪirmen and F-35s deployed to the Middle East from Hill Air Force Base, Utah, increased the jet’s mission-capable rate during combat operations while helping guide the future of the jet’s complex maintenance logistics system.į-35s from Hill’s 4th Fighter Squadron deployed to Al Dhafra Air Base, United Arab Emirates, for six months last year. Where they squadron size or 4-5 each?ĭeployed F-35s Raise Mission-Capable Rates, Help Form New Logistics SystemMa| By Brian W. Your article doesn't even specify how many fighters took place. ![]() USAF does it all the time in exercises having a squadron size of stealth fighters at 90% MCR in actual combat OVERSEAS is an achievement. Having non fighter aircraft at a 80% MCR during exercise is not some great achievement especially when you have one of each or maybe two. ![]() ![]() ![]() Why do I say that? Because that’s exactly what seems to have happened to Anthony McCarten, the gifted scribe behind the Queen biopic Bohemian Rhapsody. Let’s just hope his contract is squared away because I’d hate to see him miss out on a hefty payday if this film takes off like other music biopics. ![]() The Allman Brothers Band nearly saw their story told once before in the independent film Midnight Rider, though the unfinished project was shelved following the tragic death of camerawoman Sarah Jones, which prompted multiple investigations and lawsuits that have yet to be resolved.Ĭassavetes co-wrote the Johnny Depp movie Blow before going on to direct John Q, The Notebook, and Alpha Dog, so he’s a pretty decent filmmaker and I look forward to seeing how he approaches this adaptation. The band also faced plenty of challenges - drug and alcohol abuse and the death of Duane Allman in a 1971 motorcycle accident - before being inducted into the Rock and Roll Hall of Fame in 1995. Gregg Allman wound up marrying Cher and helping Jimmy Carter win the White House. The film will follow brothers Gregg and Duane Allman, who were raised by a single mother and had a difficult childhood, though they immersed themselves in the history of the blues and went on to find fame and fortune - and not just onstage either. Meanwhile, the Grateful Dead wasn’t the only band to announce a biopic this week, as Nick Cassavetes has signed on to write direct an untitled movie about the Allman Brothers Band, the group behind songs like “Midnight Rider” and “Ramblin’ Man.” Now those are songs I know! There’s no word on what time period this film will cover, or whether it will receive some kind of theatrical release, but after signing a first-look deal with Apple last year that covers both film and television, it’s clear that Scorsese is in the streaming game for the long haul. It should help that Apple will have access to the Dead’s musical catalog since Garcia’s surviving bandmates will executive produce the film alongside his daughter, Trixie Garcia. Hill will no doubt knock this role out of the park, and Scorsese knows how to get the best out of him, having guided Hill to his second Oscar nomination for The Wolf of Wall Street. Martin Scorsese attends the 2018 Museum of Modern Art Film Benefit: A Tribute To Martin Scorsese in New York City. For purely selfish reasons, this true-crime fan wishes he’d just focus on the long-gestating adaptation of The Devil in the White City, or even that Teddy Roosevelt biopic that would star Leonardo DiCaprio. What I do know is that I don’t really want the aging Scorsese to spend precious time on this particular project, especially seeing as how he already executive produced the Grateful Dead documentary Long Strange Trip back in 2017. Then again, it’s being made for Apple TV+, so it doesn’t really matter, as we’ll never know how many people watch this thing. ![]() I know that Deadheads are legion - I see the decals affixed to car windows and such - but I don’t think I know anyone my age who’s that into the Grateful Dead, so I’m not sure what the commercial prospects of this movie are. I hit up YouTube to listen to “Sugar Magnolia” and “Uncle John’s Band” and neither rang a bell. That would prompt him to list off a bunch of the band’s hits, and I have to be honest - I’d never heard of any of them. I used to say that all the time to my former boss, Josh Dickey, who’s a big Deadhead. In fact, I don’t think I could name a single song of theirs. Having said that, I have very little interest in a Grateful Dead movie, as I never got all the fuss about the band. Larry Flynt, the Andy Kaufman movie Man on the Moon, and Tim Burton‘s Big Eyes, which followed artists Margaret and Walter Keane. ![]() These are the guys who wrote Ed Wood, The People vs. Hill as Garcia actually strikes me as pretty great casting, and the presence of writers Scott Alexander and Larry Karaszewski is encouraging, as biopics are very much in their wheelhouse. Martin Scorsese turned 79 years old this week, and what better way to celebrate a birthday than announce a new movie, right? Marty the Maestro has signed on to direct an untitled biopic about the Grateful Dead that will star two-time Oscar nominee Jonah Hill as the band’s iconic frontman Jerry Garcia, who died in 1995. Hollywood Jams Out With New Grateful Dead and Allman Brothers Band Movies Here’s the stories the industry is buzzing about this week and the ones they will be after reading this column. ![]() ![]() ![]() This is a nice touch which not only adds a gameplay mode one might not expect to find in a game about racing Jet Skis but also a bit of story depth as well. Additionally, Riptide GP: Renegade capitalizes on your character going “underground” and also adds in police chases where you have to avoid capture by racing through the level and avoiding obstacles already in place on the tracks as well as the police themselves. There are also buoy races where you have to slalom through each marker in order to pass the race, which adds a degree of difficulty to the already fast paced tracks. Standard races where you have to aim to place first are most of the races you’ll encounter during your time with the game. Race types are your typical assortment when it comes to watercraft racing. Fortunately, the game is so fast paced those issues typically aren’t that noticeable. ![]() Though everything looks and feels great, the character models due tend to suffer from some stiff animations here and there. Both have all sorts of mechanical and textured details that really flesh them out and the water looks and behaves exactly as it should, including water droplets splashing onto the screen when you splash through waves. The watercrafts and racers themselves also look great. Even so, they still look great and show plenty of polish, especially with the game running in 1080p and 60 frames per second, even in split screen mode. The environments are colorful and varied enough to hold your visual interest while having just enough detail to not be too distracting when zooming by at high speed. Races mostly take place on water, although there are the occasional environmental ramps, obstacles, and juts through seemingly populated areas to keep things from feeling monotonous. Racers take part in either single player mode, 2-4 player split screen multiplayer, or 8-player online race modes will find themselves racing through various futuristic landscapes including waterways in large metropolitan areas and rundown dystopian ruins. In a similar fashion to Jet Moto, Riptide GP: Renegade takes watercraft racing and puts a futuristic spin on it. Each character has their own personality and gestures they perform, which really helps the characters feel more alive and less like cardboard cutouts while racing to liven the game up. Aside from your two starting characters, there are plenty more to unlock over the course of the game, usually through beating a “boss” character in a race. It’s admittedly clichéd and still fairly basic, but it is a nice element to see in a racing game nonetheless. When you finally get out, you’re swept right up into the underground racing circuit in an effort to clear your name and reclaim your place in the sanctioned racing league. He or she gets set up by fellow racer and professional douche Krex in an unsanctioned race that gets busted by the future police, with you taking the fall and getting sent to prison for two years. In Riptide GP: Renegade, you start the game as either Impact (male racer) or Poison (female racer). Games like Midnight Club and Need for Speed usually have loose, rudimentary stories, but they’re certainly not the norm. The first thing that you’ll notice upon starting up Riptide GP: Renegade is that it actually has a story. Where the original Riptide GP was designed around mobile hardware, Riptide GP: Renegade has been designed from the ground up as a home console and PC experience, and it shows through very well. Their newest entry in their Riptide GP franchise, Riptide GP: Renegade, seeks to bring their expertise to the PS4 and Steam. Fortunately, game developer Vector Unit is very well versed in the world of watercraft racing games, being the creative minds behind titles such as Hydro Thunder Fury and Hydro Thunder Hurricane. Games like Jet Moto and Wave Race 64 were a blast to play growing up, and I always welcome new entries to the genre (or sub-genre, if you will), especially if they are done well. My experiences with it have unfortunately been limited to the digital world. This includes Jet Ski racing, although I have never partaken in it personally. As mentioned in my Obliteracers review, I love all things racing. ![]() |
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